The Grand Theater in Warsaw: one of the largest
theatres in Europe and one of the biggest stages in the world
If you like to “touch” history of Poland, learn a lot
just being in one place you should plan your visit to Warsaw, Poland and you
musn’t miss The Theatre Square which
“accommodates” lots of historic spots. All of them just in one square.
Bordered on its right by the Late Baroque Blank Palace
Plac Teatralny (The Theatre Square) is a major square. Located in downtown it
has always been one of history`s most important places in my country. The
origins of the square date back to the beginning of the 19th century, when a
small square was established in 1818. From 1825 to 1832 the Grand Theatre
building was constructed. When the city administration was relocated to the
nearby Jabłonowski Palace, the square became a centre of city life. Various
patriotic demonstrations took place there, including those at the time of the
January Uprising and the Revolution of 1905. Both demonstrations were bloodily
crushed by Russian authorities.
The Warsaw Grand Theatre – one of
the biggest stages in the world
The most spectacular building which is located in The Theatre Square
houses mainly The Grand Theatre (Teatr Wielki) and Polish National Opera (Opera
Narodowa). If just for the “wow” factor, this is one of “the must-see” historical
treasures in Warsaw. It happens to be officially one of the largest theatres in
Europe and one of the biggest stages in the world. Besides The Grand Theatre
and The National Opera, The National Theatre, The Ballet and The Theatre Museum
is also located inside the building. Its magnificent classical façade, dating
back to 1833, is the only original part to have survived World War II, but the
post-war restoration and modernization completed in 1965 made it one of the
most spectacular and well-equipped theatres in Europe.
The original Grand Theatre was constructed in 1825-1833, and designed by
Italian architect Antonio Corazzi, in an on-site shopping and service complex
called ‘Marywil’ (the name came from the name of Queen Marysieńka Sobieska) which
was a project by Tylmon of Gameren. The opening was inaugurated by Rossini’s
‘Barber of Seville’ on February 24, 1833.
As an institution, the Grand Theatre has probably done more to represent
Polish cultural life than any other. During all this time, Polish drama, opera
and ballet were able to continue and often flourish. The imposing building
houses an opulent 1,800-seat auditorium named after Stanisław Moniuszko, the
father of Polish Opera, the 248-seat Emil Młynarski Auditorium and the National
Museum, which is Poland's only theatre museum.
Anywhere you look in Warsaw there
is a history lesson in the making
The Grand Theatre and National Opera House complex is one such example.
In its 183-year history it has overseen partition, occupation, destruction and,
finally, freedom.
During the siege of Warsaw in 1939, the Grand Theatre
was bombed and then almost completely burnt down, with only the classical
façade surviving. Among the ruins, during the Warsaw Uprising, the Nazis shot
civilians.
In the course of its reconstruction between 1945-1965,
the building was expanded considerably according to a design by Bohdan
Pniewski. He put large and elegant dressing rooms on the ground floor and a
spacious foyer on the first floor; the audience now sits where the stage
originally stood. The modern stage – one with great facilities and the world's
largest – was built on the square, which is adjacent to the theatre.
Back to the
times of Vienna victory
But the history of Theatre
Square, where the building of the Grand Theatre and Opera House stands today,
goes back to the days when Poland’s King John III Sobieski (Jan III Sobieski)
won the battle of Vienna against the Turks, thus saving Europe from the
onslaught of Islam in 1683. His loving wife, Marysieńka, built a large commercial
center, called Marywil, to commemorate the king’s victory. It was constructed
at the end of the 17th century and consisted of a pentagonal baroque building
modeled after the Place des Vosges and Place Dauphine in Paris. It contained
shops and merchants’ houses, while the central square was used as a market. The
building also served as a royal residence. In 1738 the complex was bought by
the noble Załuski family and around 1744 it was converted by Antonina Zamoyska
into a monastery. She was a founder of a church in Krzeszów and an order in
Warsaw. Before the entire complex was demolished in 1825 to make room for the
new Grand Theatre, additional four large houses were built in the marketplace
and later the monks moved out and the building was converted into housing
quarters.
For more than 170 years, the
Grand Theatre in Warsaw has been the largest opera and ballet institution in
Poland. It was built to provide a new venue for the existing opera, ballet and
drama companies in Warsaw. The building was remodeled several times. Until
1918, while Poland was partitioned by foreign powers, it continued to fulfill
an important cultural and political role in producing works by many Polish
composers and choreographers, thereby upholding the tradition and cultural
heritage of a country that had been wiped off the map for over 123 years.
Stanisław Moniuszko, several
of whose operas were first performed there, including the famous “Halka” and “The
Haunted Manor”, was the greatest 19th century figure in Polish music after
Frederic Chopin. He was also director of the Warsaw Opera from 1858 until his
death in 1872. Operas composed by a pianist and organist Władysław Żeleński, a
pianist and composer, politician, and honoured spokesman for Polish
independence Ignacy Jan Paderewski, a pianist and the most celebrated Polish
composer of the early 20th century Karol Szymanowski and many other Polish
composers were performed at the Grand Theatre, as well as ballet productions
designed by Polish choreographers, including leading Roman Turczynowicz, Piotr
Zajlich and Feliks Parnell. Also, major world opera and ballet classics were
performed at the theatre by prominent Polish and foreign artists.
Opera in
Poland is nearly as old as the one in Florence
Opera was imported to Poland
by Prince Ladislaus IV Vasa (Władyslaw IV Waza) a mere twenty years after this
art form first appeared in Florence. In 1628 he invited an Italian opera troupe
to perform in Warsaw. When he ascended to the Polish throne in 1632, he created
a theatre at the Royal Castle and commissioned an Italian troupe under the
direction of Marco Scacchi to offer regular operatic performances there.
Towards the end of the 17th century, King John III Sobieski revived presentations of operas, and these were subsequently supported by King Augustus II, known as "The Strong", and by King Augustus III, who commissioned the construction in Warsaw of the city's first operatic building, the so-called Opernhaus (Operalnia – first public opera-theatre in Poland). Opera, theatre and ballet then truly flourished in Poland during the reign of country's last monarch, Stanislaus Augustus Poniatowski (Stanisław August Poniatowski).
Towards the end of the 17th century, King John III Sobieski revived presentations of operas, and these were subsequently supported by King Augustus II, known as "The Strong", and by King Augustus III, who commissioned the construction in Warsaw of the city's first operatic building, the so-called Opernhaus (Operalnia – first public opera-theatre in Poland). Opera, theatre and ballet then truly flourished in Poland during the reign of country's last monarch, Stanislaus Augustus Poniatowski (Stanisław August Poniatowski).
The National Theatre in Poland is
251 years old
Above-mentioned first public opera-theatre in Poland, The Operalnia in
Warsaw, was opened on July 3, 1748. It was located in The Saxon Garden (at
today's intersection of Marszałkowska Street and Królewska Street) and
functioned under royal patronage. The Operalnia's building was erected in 1725
at the initiative of Augustus II, costing 5000 ducats, as a rectangular
structure divided into three parts.
The lateral wing of the Theatre Square building
occupies The National Theatre. It was founded 17
years after The Operalnia was opened, in 1765, during the Polish Enlightenment,
by King Stanislau August Poniatowski. The
National Theatre has had a checkered history. It first burnt down in 1919, then
again during the war, and a third fire broke out in 1985. The rebuilding
process took eleven years, and the stage has now four super modern sides and
fully computerized machinery.
But let`s get back to 18th century. On November
19, 1765 His Royal Highness Stanislaw August Poniatowski's Operatic Players
presented their first performance of Józef Bielawski's comedy “The Interlopers” (“Natręci”) based on a play by one of
the greatest masters of comedy in Western literature Jean-Baptiste Poquelin,
known by his stage name Molière. Since the Operatic Players were the first
professional company to play in Polish, it has become a tradition to
commemorate the date as that of the
birth of Polish National Theatre.
Since 1774 on, opera, theatre and ballet performances were held in the
Radziwiłł Palace (today the official home of Poland's president). The first
Polish opera was produced there on July 11, 1778, Maciej Kamieński's “Poverty
Made Happy” (Nędza uszczęśliwiona”), with Wojciech Bogusławski's libretto based
on a comedy by Franciszek Bohomolec. Known as the father of Polish National
Theatre, Bogusławski was a renowned actor, singer, director, playwright and
entrepreneur. Next, Bohomolec, a Polish dramatist, linguist, and theatrical
reformer was one of the principal playwrights of the Polish Enlightenment.
In 1779-1833 performances took place in a new theatre building on
Krasiński Square (Plac Krasińskich), later called the National Theatre. It was
founded in 1765, during the Polish Enlightenment, by the country's last
monarch, Stanisław August Poniatowski. Also, at the National Theatre, from 1785
a troupe of His Majesty's Dancers (headed by ballet masters François Gabriel Le
Doux of Paris and Daniel Curz of Venice) became active. At this theatre, on March
17, 1830, Chopin premiered his Piano Concerto No. 1 in E minor, Op. 11. Closed
after the November 1830 Uprising, in 1924 the National Theatre was revived
under the Second Polish Republic.
Under the Polish People's Republic (1945–89), the quality of the
Theatre's productions was at times adversely affected by government pressures.
Splendid Building
& Fantastic Theatre Square
The magnificent Grand Theater building standing today in the historic
Theatre Square in Warsaw was totally rebuilt and expanded after the Germans
bombed and burnt it down during World War II. It took a long time to rebuild as
there were many other building priorities after the war to house all the
displaced Varsovians after the Germans razed the city to the ground in
retaliation for the Warsaw Uprising of 1944.
The opening of the rebuilt Grand Theatre took place on
November 19, 1965. Commissioned for this inaugauration was ‘The Haunted Manor’
by Stanisław Moniuszko. In the Theatre Museum, visitors will find works of art
and documents illustrating the history of Polish theatre, drama, opera and
ballet dating from the 18th century.
It is said
that it was then one of the most imposing and best-equipped state-of-the-art
theatres in Europe and as I have already written, it had the biggest theater
stage in the world. It has beautiful interiors, crystal chandeliers and a
spatial foyer together with huge marble columns and beautiful mosaics. The
Theatre Museum is located in the former main-floor ballrooms. There are two
statues in front of the building — one of Wojciech Bogusławski, the father of
the Polish National Theater and Stanisław Moniuszko, the father of the Polish
National Opera.
In 2002, the facade was crowned with a statue of Apollo, which was consistent with the original intentions and plans by Antonio Corazzi; at the time, however, the statue could not be placed – along with many other decorative elements desired by the designer – because Tsar Nicholas I did not allow their inclusion, as he did not want the Polish National Opera to supercede the buildings in Russia. The creators of the modern quadriga are professors at the ASP (an art academy in Warsaw), Adam Myjak and Antoni Janusz Pastwa.
***
The Grand Theatre, Warsaw features a quadriga reflecting the original
1833 plans for the building, but not commissioned and executed until 2002. It
was finally unveiled on May 3, 2002. I happened to be a broadcast journalist of
the live coverage of this event on TVP1
- The Public Polish TV Channel One.
If you visit Warsaw, please consider night out at The Grand Theatre. The
season runs from October until the end of June and features daily (except
Mondays) performances of opera and ballet. The repertoire encompasses works by
Polish composers, but also includes classics from Beethoven, Bizet, Mozart,
Prokofiev, Rossini, Tchaikovsky, Verdi and Wagner, among others.
At night, the exterior of the building is floodlit, and its commanding
location on The Theatre Square in the heart of Warsaw makes it a compulsory
addition to any visitor's photo collection.
After the performance you can "taste" The Theatre Square. You
wouldn’t expect less: Warsaw’s theatre quarter is generously represented by
high-end stores, flashy restaurants and architectural nuggets.
Bon appétit and see you there!
Photos by Michał Stanisławski
Brak komentarzy:
Prześlij komentarz